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so it sounds like a more expensive microphone was used, proves that the software can more than pay for itself. “Removing digital or analog distortion to taste, boosting deficient frequency bands, removing an unpleasant area in the vocalist’s tone, or taming resonant frequencies on bass, piano, or boomy acoustic guitar is amazingly quick.”Īnother example Stull mentioned, shaping a vocal track with I.C.E.
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“Being able to clean up and sculpt whatever comes in, track by track in Pro Tools or any other DAW, opens a whole new world of recording,” Stull said. to tackle problematic content that crosses his console. Known for his bespoke mastering hardware, the Masterpiece Analog Mastering System designed in collaboration with and built by British designer Rupert Neve, Stull created I.C.E. Throwing ICE on both the electric bass and acoustic guitar tracks, I was able to correct enough of the problem frequency bands to make them sound like actual instruments again.” Abbott finds I.C.E.’s unique capabilities indispensable, saying “…nothing else, and I’ve tried everything, has had this much of a healing effect on these heretofore unrecoverable tracks.”īilly Stull is also quite familiar with pro audio. “Every individual track was so messed up, both EQ and dynamically, that recreating the mixes was honestly just an exercise in futility. “It bailed me out of a mix that I’d been trying to salvage for over 20 years, one where the 2-inch 16 track with Dolby A was horribly misaligned,” Abbott enthused. Although I.C.E was primarily designed to solve audio problems, it can also be used to mold music without the downside and limitations that EQ often entails.Īrchival restoration is one of the toughest jobs in all of pro audio, and Edward Abbott has been bringing lost music out of the vaults for over two decades. Problems that can be addressed include: undesirable distortion, “hot spots” and harshness, over modulation and overloads, sibilance, resonances, and “digititis” from lesser quality converters, DAWs and DSP.
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Working in double precision, 64 bit space without using EQ or resynthesis, it reduces unwanted components within a sound file after it has already been recorded and processed.
I.C.E is a different way of processing audio from commodity “restoration” software. By the time the material arrives at the mixing or mastering stage, it is difficult to recover from any damage done during production. Distortion, especially in the digital domain, can be a significant problem. Modern recording usually employs digital methods on minimal time frames, often with less than ideal results. The plugin has been realized by the programming team at Sonic Studio, creators of the digital audio restoration suite, NoNOISE, and the high resolution digital audio workstation. encapsulates some of the techniques developed by veteran engineer Billy Stull of Legendary Audio. The latest member of their diverse technology family, I.C.E. Sonic Studio outlines the upcoming release of version 1.0 of I.C.E., a cross–platform signal processing plugin.
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